In the riveting world of showbiz, stage moms don’t just play supporting roles; they’re the puppet masters pulling the strings of their offsprings’ careers, finances, and private lives. It’s a spectacle where parental boundaries are as rare as a subtitled Michael Bay film.

Take Annabelle Rama, a maestro in the symphony of meddling. Not content with merely conducting her son Richard’s career, she dives into the murky waters of his marriage with Sarah, treating their private affairs like an off-Broadway drama with the world’s worst reviews. But the curtain doesn’t stop there; it’s lifted to reveal the unsuspecting grandchildren, tossed center stage in a distressing display of familial dysfunction.

In this grotesque circus, common sense becomes the elusive unicorn, as innocent children are thrust into the limelight, their faces plastered on social media like tabloid confetti. It’s not just a matter of overbearing parenting; it’s a full-blown case of child abuse masked as entertainment. Yet, the news media, ever the eager co-stars, gleefully participate in this conspiracy, trading ethics for the allure of scandalous headlines. The show must go on, but at what cost to the pint-sized performers caught in the crossfire?