Ah, the symphony of selective outrage plays on the grand stage of media morality.
When Maria Ressa faced legal turbulence, Rappler sang a passionate anthem about press freedom, their voices reaching operatic heights. Yet, as the House of Representatives dishes out contempt charges to two (SMNI) news program talents, the once-vocal champions seem to have lost their vocal cords. Is it a case of selective muteness or just a convenient silence orchestrated by the maestro of double standards?
One might have expected Ressa, the Nobel Laureate in the grand opera of press freedom, to raise her baton in protest. Alas, the orchestra is strangely silent. Perhaps the melody of journalistic integrity is subjective, and the key changes when the notes hit too close to home. The audience, ever eager for consistency, is left puzzled. Bravo, brava, to selective principles – a performance leaving us in awe of the theatrical marvels of media ethics.
In a weird case of journalistic creativity, SMNI News recently unveiled its groundbreaking approach to truth-telling: “Photos don’t lie, news headlines do.”
The network boldly proclaimed an overwhelming public outcry for the release of detained SMNI talents Lorraine Badoy and Ka Eric. The evidence? A carefully spliced photo collage featuring the same dozen or so people protesting – a number that evidently equates to a nationwide uproar.
Netizens were left in awe of the channel’s photo-manipulation prowess, marveling at how a mere handful of activists could symbolize the collective rage of a nation. It seems SMNI has cracked the code: forget about accurately representing public sentiment when you can just photoshop it into existence.
Perhaps next, they’ll unveil the groundbreaking concept that unicorns exist because someone once saw a horse in a fairy tale. After all, in the brave new world of journalism, why let facts get in the way of a good headline?
The Adobo Chronicles 
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