In the realm of journalism, the once esteemed Krizette Laureta Chu seems to have undergone a metamorphosis, trading her pen for the flamboyant keyboard of social media satire. 

Once celebrated for her contributions to promoting the Philippines, Chu now juggles her reputation with the finesse of a circus performer. Her transition from a Rotary Club-recognized journalist to a purveyor of political slapstick mirrors a Shakespearean tragedy, leaving audiences to question if they are witnessing a split personality spectacle.

Joining the ranks of bloggers who defy truth, accuracy, and decency, Chu’s transformation into a Duterte cheerleader seems like a journey down the rabbit hole of absurdity. Her keyboard antics, alongside the likes of Bb. Maharlika and Sass Rogando Sasot, resemble a political circus where the clowns prioritize loyalty over logic.

From orgies to orgies of political fervor, Chu’s newfound online persona leaves one wondering if her social media escapades are a desperate cry for attention or a calculated strategy to remain relevant in the carnival of political absurdity.