by Pol Pinoy

Oh, what a travesty it is that Nora Aunor’s cinematic masterpiece “Pieta” has been snubbed, overlooked, and unceremoniously left out of this year’s illustrious Metro Manila Film Festival! The disappointment among Noranians and Filipino film enthusiasts is palpable, as they were eagerly awaiting a rare opportunity to witness the magic of Philippine cinema’s true superstar.

It’s quite the cinematic paradox when a festival that claims to celebrate the best of Filipino cinema manages to exclude one of the most iconic figures in the history of Philippine entertainment. It’s as if they’ve decided to hold a Lechon Festival without the actual lechon. How can we possibly have a meaningful discussion about the true queen of Filipino cinema without considering the astounding contributions of Nora Aunor?

Instead, we are presented with a selection that includes the likes of the “Star for All Seasons” Vilma Santos and the “Mega Star” Sharon Cuneta. Now, don’t get me wrong; Vilma and Sharon have had their moments of glory, and they’ve given us some fantastic films over the years. But let’s not kid ourselves; they are but mere mortals compared to the celestial presence of Nora Aunor.

It’s like hosting a “Who’s the Greatest Actor of All Time” contest and omitting Meryl Streep while throwing in a few Hollywood newcomers. Nora Aunor is not just an actress; she’s a national treasure, a legendary performer who has transcended generations. Her contribution to Philippine cinema is nothing short of monumental.

The exclusion of “Pieta” from the festival is a blatant injustice, a cinematic crime of epic proportions. Nora Aunor is a national artist, for heaven’s sake! She deserves a spot at any cinematic gathering, especially one that claims to showcase the best of the best. Leaving her out is akin to hosting a fiesta without the lechon, a halo-halo without the leche flan.

But fear not, fellow Noranians and cinema enthusiasts. We know the true queen of Filipino cinema, and her reign transcends awards and festivals. Nora Aunor’s legacy will continue to shine, casting its brilliant light on the hearts of those who truly understand and appreciate her remarkable talent.

So, let the Metro Manila Film Festival have its moment in the spotlight with its other offerings, but let’s not pretend that it’s the definitive yardstick for measuring greatness in Filipino cinema. Nora Aunor, the Superstar and National Artist, will forever be etched in our hearts and in the annals of Philippine film history, regardless of any festival’s myopic decisions.